Cover design by Roberto de Vicq de Cumptich.
Cover design by Emily Mahon.
Q:Your job is really cool! I have a couple questions in terms of how you got where you are today. What did you study in college? How exactly did you get the job position you have now?
Hey, thanks! I got a B.F.A. in Graphic Design at the Savannah College of Art and Design. As for the job position, I’d say it was equal parts good luck and hard work: I applied, I interviewed, and a day later, I was hired.
So sorry, guys! I logged into this account tonight for the first time in months (and months and months and months) to find I’d gained a lot of followers without knowing it (Hi, there!) and acquired a lot of unanswered mail.
Sincere apologies all around. It’s officially a New Years resolution of mine to take better care of this blog, so let’s see if I can make good on my word, shall we?
The holographic filigree around the title is gorgeous, and those bright pops of pink against the black sky work beautifully. The attention to detail that went into this design make it unforgettable.
In stark contrast with the melancholy grays, the bright pops of yellow on this cover instantly caught my eye and led me through a hierarchy of type that breathes perfectly.
Cover design by Keith Hayes.
Fragmented typography for a “fragmented” title.
Cover design by Gabriele Wilson.
One of my newer favorites. I love the saturated greens and rich textures paired with the flowing white script. Simple and eye-catching; the whole cover breathes pleasantly.
Cover design by Karen Horton.
Another visual tactility success.
Cover design by Isaac Tobin.
I can’t say enough how much I adore this cover. The typographical treatments are a perfect match, and the attention to detail in adding silver foil to the individual stars is beyond fantastic. If you haven’t seen it in person, make it a point to do so the next time you hit the bookstore.
Cover design by Charlotte Strick.